Tsukiji Sushi Lunch

Tsukiji has a way of making lunch feel like a small pilgrimage. You drift down a narrow street stitched with power lines and shop signs, past counters and awnings, past people moving with that steady, practiced pace of a place that’s been doing the same work for a long time.

A banner for grilled tuna flaps above the crowd like a bright, simple promise. The air feels busy even when you stand still—salt, smoke, and something sweet you can’t quite name. It’s ordinary in the way that good places are ordinary: built from routine, repetition, and hands that know what they’re doing.

I came for sushi, but the walk there mattered as much as the first bite. Tsukiji isn’t quiet, yet it carries a kind of calm under the noise. You watch one world push up against another—tourists pausing to point, locals slipping through, vendors calling out, knives flashing briefly and disappearing back into work.

Then lunch arrives: clean cuts of fish, rice pressed just right, a bite that tastes like the sea without trying to explain itself. You don’t need much more than that. You finish, step back into the street, and the market keeps flowing as if nothing happened—except you’re a little more awake than you were before.

Breakfast Temple Visit

Tokyo in the morning has a different temperature to it—less hurry, more hush. I arrived at Senso-ji with breakfast still warm in my stomach and the feeling that the day hadn’t decided what it would become yet.

At the gate, the giant lantern hangs like a steady heartbeat. Red beams frame it overhead, and the paint and paper look both weathered and cared for, the way old places do when they’re allowed to keep their age. There’s something grounding about standing beneath something so familiar in photos and finally noticing the details: the creases, the rope, the quiet weight of it all.

I’ve learned that travel isn’t always the big sights—it’s the small moments where one world brushes up against another. A temple visit after breakfast feels simple, almost ordinary, and maybe that’s the point. You walk in, you look up, you slow down. For a few minutes, the city doesn’t ask anything from you.

Senso-ji holds that kind of space. Not empty, not silent—just settled. Like it’s been listening for a long time, and it’s in no rush to answer.

If you ever find yourself in Tokyo early, go before the day gets loud. Let the lantern be the first thing you really look at.

Okonomiyaki first meal – Sometaro

Our first meal in Japan was okonomiyaki at Sometaro—simple, warm, and a little mesmerizing.

The griddle sat in the middle of the table like a small, black stage. Two pale rounds of cabbage and batter sizzled quietly, edges loosening as if they were waking up. Steam rose and disappeared. Chopsticks hovered. A cold beer sweated beside a small plate of pickles, the kind of everyday details that make travel feel less like a highlight reel and more like a real afternoon you get to keep.

There’s something grounding about cooking at the table. You’re forced to slow down and watch. The food doesn’t arrive finished; it becomes dinner in front of you. The room around us faded into small sounds—the scrape of metal, the soft chatter, the steady hiss—until it felt like the whole city had narrowed to that warm rectangle.

Okonomiyaki is comfort food with a little ceremony: turn, wait, share, eat while it’s hot. It was the kind of first meal that doesn’t try to impress, and somehow that makes it unforgettable. After the flight and the rush of arrival, Sometaro felt like a quiet welcome.

JFK > SEA, first leg of the trip to Japan

The cabin light has that familiar, late-afternoon glow—the kind that makes everything feel a little softer than it really is. I’m stretched out in my seat, shoes tucked forward, the screen in front of me running an ad about comfort and legroom, as if it’s trying to narrate the moment while I’m living it.

JFK > SEA is only the first leg, but it already feels like the threshold. Airports have their own weather: recycled air, muted announcements, the low tide of people moving with purpose. On the plane, time becomes something you can fold up and put away for later. The tray table clicks. The seat settles. A small pocket of stillness appears.

There’s a strange comfort in these in-between hours—suspended over the country, watching the world reduce itself to patterns and light. It’s not Japan yet, not even close, but the trip has started in the only way trips really start: by leaving.

Seattle is a pause, a breath, a handoff. Soon there will be different signs, different streets, different morning sounds. For now, I’m content to let the hum of the plane and the quiet choreography of travel do their work—carrying me forward while I sit still, thinking about the distance ahead and the stories waiting on the other side of it.

Tore no Karaage – mmmmm

There’s a kind of quiet satisfaction in a plate that doesn’t try too hard. Tore no Karaage – mmmmm sits in the center like a small warm stone—crispy chicken, pale and craggy from its coating, surrounded by dried red chilies that look like scattered embers. A few green leaves rest on top, softening the whole thing, as if the dish is taking a breath.

I keep coming back to the contrast: the crunch you expect from karaage, the slow heat implied by those peppers, and that dark smear of sauce on the side—like a shadow you can dip into when you want the bite to deepen. It feels intentional without being fussy.

Food like this has a way of pulling you into the moment. You notice the table grain, the matte black plate, the way the light hits the ridges of fried batter. The room around you goes a little quieter. The day, whatever it was, narrows down to salt, heat, and texture.

If you’re hunting for Japanese fried chicken with a spicy edge, this is the sort of dish that makes you pause between bites—not because you’re finished, but because you don’t want to rush it.

32 Days of Donald Drinks! Cheers!

| @disney  #DonaldCheers  #donald | 

For the second year I am displaying a portion of my Donald Duck collection. This year’s theme is Drinks and Glasses.

| Love this 65 Feisty Years cup for Donald’s 65th anniversary! I got this guy all the way from Japan where they had a huge celebration!!! |

See more with tag #donald duck and more of my collection here!

Garden of Unearthly Delights – Part 3

Garden of Unearthly Delights – Part 3

| @japansociety #art #japan #nyc

| Above Hisashi Tenmyouya ~

| I just had to fit in the last weekend of this exhibit; Artwork at Japan Society Gallery featuring artists Manabu Ikeda (b. 1973, Saga Prefecture), Hisashi Tenmyouya (b. 1966, Tokyo) and the art and technology collective teamLab (est. 2001). 

| 🌸🎨✒️

| Read Insta-comments -> http://ift.tt/1tVSfxs

Garden of Unearthly Delights – Part 2

| @japansociety @teamlab_news #art #japan #nyc

| Above teamLab ~

| I just had to fit in the last weekend of this exhibit; Artwork at Japan Society Gallery featuring artists Manabu Ikeda (b. 1973, Saga Prefecture), Hisashi Tenmyouya (b. 1966, Tokyo) and the art and technology collective teamLab (est. 2001). 

| 🌸🎨✒️

| Read Insta-comments -> http://ift.tt/1tVSfxs

Garden of Unearthly Delights – Part 1

| @japansociety #art #japan #nyc

| Above Manabu Ikeda ~

| I just had to fit in the last weekend of this exhibit; Artwork at Japan Society Gallery featuring artists Manabu Ikeda (b. 1973, Saga Prefecture), Hisashi Tenmyouya (b. 1966, Tokyo) and the art and technology collective teamLab (est. 2001). 

| 🌸🎨✒️

| Read Insta-comments -> http://ift.tt/1tVSfxs

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