Rainy day museum day.
Outside, the city felt rinsed and heavy, the kind of weather that turns every block into a long exhale. Inside the museum, everything was quieter. Even footsteps sounded like they were trying not to interrupt.
I found myself looking down into a courtyard: pale tiles darkened by scattered rain, three round planters like small ponds holding lily pads and green drift. Thin lines cut across the space like careful strokes, as if someone had measured the air and decided where it should rest. A few benches sat empty, waiting patiently. The whole scene felt arranged, not staged—settled, like a room that has learned how to live alongside the day.
I like museums most when the weather pushes you into them. You don’t rush. You wander. You let the building hold the noise for you for a while. And for a moment, the outside world feels far enough away to become interesting again, something you can return to with fresh eyes.
When I finally stepped back out, the rain was still there, doing its slow work on the streets. Somehow it didn’t feel like it was keeping me from anything. It felt like it had given the afternoon a shape.

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